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Dicing with Grammar

Average Rating4.72
(based on 221 reviews)

It's simple really: English grammar can be a very dry subject, but this need not be the case. For a few years now, I have been developing a games-based approach to teaching important grammar concepts. It is amazing how the introduction of dice takes the learning into a new place - the element of chance making it seem less like work and more like play. Because I test my games extensively in the classroom, I get a feel for what works. Dump your boring worksheets and start dicing with grammar.

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It's simple really: English grammar can be a very dry subject, but this need not be the case. For a few years now, I have been developing a games-based approach to teaching important grammar concepts. It is amazing how the introduction of dice takes the learning into a new place - the element of chance making it seem less like work and more like play. Because I test my games extensively in the classroom, I get a feel for what works. Dump your boring worksheets and start dicing with grammar.
Theseus units: myth writing, news report, poetry
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Theseus units: myth writing, news report, poetry

3 Resources
This bundle is three KS2 writing resources (or 6 weeks of fully planned and resourced English lessons) exploring the story of ‘Theseus and the Minotaur’. It includes a three week myth writing unit, as a five session newspaper report unit and a five session poetry and book making unit.
climate change, waste monsters
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climate change, waste monsters

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A fully resourced, fifteen session writing unit with a powerful climate change theme. It is pitched at upper KS2 and has a focus on sentence variety. Children explore the text ‘Planet SOS’ by Marie G Rhode, which describes a series of waste monsters and how to defeat them. This unit looks closely at the E-waste Golem. Children explore the grammatical features of the text, and then compose a piece of work that demonstrates a similar range of sentences. As the unit progresses, children learn about waste - a contributor to climate change - and how we can reduce the problem. During the unit, children will combine a monster with a type of damaging waste - there are three of each to pick from. Children create unique pieces of writing that explain the causes of a particular waste issue and persuade the reader to the think carefully about the impact of throwing things away. For the final outcome, children will create destructive waste monsters, and then give the reader useful guidance on how to defeat them. At the end of the project, artwork (optional!) and writing could be combined to create a class book of waste monsters. Absolute everything you need is in the zip folder. Enjoy! What type of writing is this? Like lots of modern information books, Planet SOS does not fit neatly into one genre. • The text has many of features of explanation writing: the author explains how waste is created and how it can be reduced. • It also has persuasive features: the reader may be persuaded to combat the monster and reduce waste. • The text has features typical of non-fiction, information writing: each page is packed with information about waste and mythical creatures. • There are also elements of fiction writing: types of waste are personified as a series of mythical monsters. Summary of objectives Reading and vocabulary • I can use drama to develop my vocabulary and communication skills • I can show understanding through tone, volume and action • I can look for key words and find information (in non-fiction texts) • I can explain the impact of using second person point of view Grammar • I can use a colon to introduce a list (when the clause before the list is independent) • I can use dashes to interrupt a sentence and add information • I can write multi-clause sentences • I can use the future perfect tense • I can use a relative clause to add information about a noun • I can write a conditional sentence • I can identify different sentence structures Planning and composition • I can grow my knowledge by reading and researching • I can write using second person point of view • I can include a range of sentences in my writing • I can assess and improve my writing with a partner
Holes, formal and informal letters
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Holes, formal and informal letters

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Here are seven sessions inspired by Louis Sachar’s ‘Holes’ (or the film of the same name) pitched at Year 5 or Year 6. First, children write an informal letter from Stanley to a member of his family back home. After that, they write a formal letter of complaint from Mrs. Yelnats to Warden Walker. There are also optional cold task and hots tasks (Pizza Problems!) if you need them. It’s all in Powerpoint and Word, so edit as you wish. Absolutely everything you need is in the zip folder. Models and planning are frames included along with many other supporting resources (word banks, text extracts and information pages). Get stuck in! Here is an overview of the six sessions: OPTIONAL COLD TASK Pizza problems! Write an informal email to a friend. Use the planning frame and the word bank if you need them. Reading fluency and tricky vocabulary Look at tricky words and rank them. Use synonyms and paraphrases to replace tricky words. Improve reading fluency through modelled and paired reading. • I can explore unfamiliar vocabulary in context • I can read a story fluently Plan an informal letter to Mom ** Read the start of Stanley’s letter and Mom’s reply. Discuss how Stanley is creative with the truth. Focus on planning structure – give each paragraph a theme. Share read an example letter before starting. • I plan an informal letter • I can use informal language and sentence structures Write a letter to Mom Explore the difference between formal and informal. Identify formal and informal language. Revisit contractions and dashes – they are common in informal writing. Write a letter home. • I can make contractions by dropping letters and using an apostrophe in their place • I can add chatty afterthoughts using dashes Plan a formal letter Explore formal language choice. Get into role as one of Stanley’s parents. Pick three key points to complain about. Read information relating to your three points and plan your letter. • I can use precise language (limited, inadequate, insufficient) and write in a formal style Write a formal letter Share read a formal letter paying close attention to grammar features. Spend time exploring word banks. Write formal letters, maintaining an appropriate register throughout. • I can write maintain a formal style throughout my writing • I can use a range of (upper KS2) punctuation OPTIONAL HOT TASK Pizza problems 2! Write a letter of complaint. Use the planning frame and the word bank if you need them.
the suffix ous - dice game
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the suffix ous - dice game

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Put your children in pairs to play the fun spelling game ‘VictoriOUS’. It’s a two player dice game that enables children to learn these four rules for adding the suffix ‘ous’: Some root word do not change – just add ‘ous’ For many root words that end in e, take off the ‘e’ and add ‘ous’ If the root word ends ‘-ge’, keep the ‘e’ and add ‘ous’ Change the ‘y’ to an ‘i’ and add ‘ous’ How about words that can’t have the ‘ous’ suffix? Peer assessment is built in. Everything that you need is here - just add 1-6 dice!
12 brilliant spelling games
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12 brilliant spelling games

12 Resources
Spelling can be fun when approached through games. Here are some great spelling games that I have perfected over the years. Huge saving available here!
–able and -ible, two player dice game, presentation, warm-up
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–able and -ible, two player dice game, presentation, warm-up

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It can be tricky for young spellers to choose between the suffixes ‘-able’ and ‘-ible’. The two player dice game ‘WinnABLE’ gives players lots of opportunities to spell and discuss these words and introduces a much needed element of FUN! There is also a simple presentation and a word sorting warm up to use with your class. I’d allow a full session for this suffix work.
Beowulf multi-clause sentences
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Beowulf multi-clause sentences

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Use this to develop children’s understanding of clauses, and to encourage children to vary the number of clauses they include within their sentences. Assessment focus I can understand the terms ‘clause’ and ‘conjunction’. I can say sentences with one or more clauses. I can write sentences with many clauses, without confusing the reader. This activity promotes lots of talk around word classes and building multi-clause sentences.
Paragraph parties bundle
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Paragraph parties bundle

4 Resources
Use the excellent ‘paragraph party’ approach to explore the concept of non-fiction paragraphing in a fun and engaging way. Here are 4 different paragraph parties on a wide variety of non-fiction subjects. The skills are transferrable. I use this approach everytime I teach the idea of paragraphing to young writers and it does get the message across very well. Try it!
Anne Frank - paragraph party
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Anne Frank - paragraph party

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Working on biographies? Teach your class a simple structure for organising information within a paragraph. This whole class activity supports both reading and writing skills. Assessment focus I can group information into paragraphs I can organise the sentences in my paragraph into a sensible order I have used this ‘paragraph party’ approach several times for information texts and persuasive texts, and it really helped children to improve how well their writing was organised. That’s why I have developed a similar approach to use when tackling biographies. Children will learn a simple pattern and later on they can apply to their own writing. Using lots of constructive talk, children have to work together to organise different sections of Anne Frank’s life. Children need to find the host of the party (the ‘topic sentence’) and throw out any information that is not relevant (the ‘uninvited guest’). Then they explore the subtle way information is ordered. Later on, children explore whole text structure. Finally, children pick a new subject (Greta Thunberg, Boyan Slat, Marley Dias or Pele) and apply their learning; they have to organise their facts into paragraphs. Each paragraph follows the same pattern, and children can use this pattern to support any biography writing that follows.
I can add -ing
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I can add -ing

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A two player dice game that really gets children talking about the rules for adding -ing. This resource comes with a peer marking sheet so that children can learn from each other. Depending on your class, you’ll need at least 30 minutes to play this.
I can spell words ending –el, -al, -le, fun dice game
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I can spell words ending –el, -al, -le, fun dice game

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Lesson plan and 3 differentiated versions of a fun game to practise spelling words ending words ending –el, -al, -le. Assessment focus I can spell words ending –el, -al, -le Explanation ‘Towel’, critical’ and ‘apple’ all have the same pronunciation at the end. So how do people know which spelling to use? Most words end –le (-al and -el endings are far less common). Also –le endings tend to follow letters with ascenders or descenders. There are no rules that work every time! –el, -al, -le game You will need: a 1-6 dice per pair, a word bank per pair, a recording sheet each
Science fiction model for Y5 or Y6
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Science fiction model for Y5 or Y6

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Here is a short science fiction/suspense model for Year 5 or Year 6. I have also included an annotated version with teacher notes showing all of the key grammatical features, the way the text is structured and some suggested activities. How is this text organised? Are you good at hiding? Do you ever keep secrets? Can you keep secrets from your reader? This story is all about keeping secrets, and causing confusion, uncertainty and suspense! Can you keep the identity of your man character (a cat in the model text) hidden until the end and let the reader try and work out what they are? Can you keep the danger unknown until right at the end? Can you finish on a cliff hanger? So many questions… Build your own story from here. Scatter clues about the identity of your main character and keep the danger hidden. Here are the themes of each part of the story: Setting, fear, an unknown thing coming Flashback 1: unclear warnings and rhetorical questions Sustaining injuries: main character stops what she is doing and runs for home, but it is treacherous Home and family: How is the character motivated to survive? Her den and cubs! Flashback 2: she remembers more warnings, but the threat remains uncertain and confusing Main character finds a familiar place – nearly home? – nearly safe? A mysterious object finally appears – everything scatters – character’s identity revealed Fear changes to hunger – prey becomes predator… cliff hanger!
Iron Age Quiz Quiz Trade
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Iron Age Quiz Quiz Trade

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This is an Iron Age themed Quiz Quiz Trade with 32 facts for the class to learn - this really support information writing. Also included are instructions on how to play Quiz Quiz Trade and an extra little 12 fact Quiz Quiz Trade about Mammoths!
First week back poetry
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First week back poetry

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This is a one week (5 lesson) poetry unit inspired by a Simon Armitage poem. The unit is based on my popular free resource ‘First day back poetry’. I have spent some time developing that activity into five fully resources lessons. I hope your class enjoy it as much as mine did! Everything you need is here. All resources are fully editable (PowerPoint and Word). If you buy this unit, please please open the zip folder, containing lesson-by-lesson sub folders within. The PNG files are just to preview the unit. Lesson 1 Reading fluency, vocabulary and comprehension • I can read poem showing understanding through pace, tone and volume • I can discuss a poem and discover its meaning Activity 1 Model expressive reading of a line and then a verse. Activity 2 Partner reading. Activity 3 Discuss the poem and try some comprehension questions Lesson 2 Exploring vocabulary • I can explore the meaning of words (in context) Activity 1 Reusing and defining Activity 2 Sketchnoting Lesson 3 Capturing ideas for poems of our own • I can compose lines for a free verse poem using my own life experiences Activity 1 Connect Activity 2 Enjoy listening to poetry Activity 3 Partner talk Independent task Can you make the ordinary sound amazing? Lesson 4 Arrange and edit for poetic techniques • I can edit my poem for poetic techniques Activity 1 Warm up Activity 2 Listen Activity 3 Arrange Activity 4 Edit for poetic technique Activity 5 Peer assess Lesson 5 Present and perform! • I can prepare a poem to be presented to an audience Activity 1 Read your poem Activity 2 Think of title for your poem Activity 3 Prepare your poem to be read aloud Activity 4 In groups of four, read your poems to each other
Caged bird
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Caged bird

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Six poetry lessons for upper KS2 with a focus on performance and creative writing. All plans and resources included - everything you need is here. All work is produced using Word and Powerpoint, so edit as you wish. Most of all… enjoy. This is a fun unit! Overview of unit Session 1 Explore tricky vocabulary I can explore the meaning of words Session 2 Read, discuss, perform I can bring a poem to life using my voice **Session 3 Explore, map, recite ** I can visualise a poem and recite it from memory Session 4 Comprehension I can explain the meaning of words in context I can find information in poetry I can justify inferences with evidence Session 5 Create poetry I can write a free verse poem using a familiar theme and structure Session 6 Peer edit for impact + perform I can choose verbs and nouns phrases to create imagery I can perform my own composition fluently
Greater depth writing workshop - suspense and science fiction
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Greater depth writing workshop - suspense and science fiction

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This is a one day greater depth writing workshop aimed at upper KS2. There are 13 resources attached and a detailed plan of the day. Children have a complete piece of writing by the end of the workshop. Here is a brief summary of the day: Part 1 Get to know the model Reading as reader: How did the story make you feel? Reading as writer: How did the author do that? Drama (pairs) – bring the text off the page Part 2 Know your animal! Part 3 Know your mysterious object! Part 4 Quick plan Part 5 Parentheses activity Part 6 Extended writing time Success criteria for extended writing I can organise my story creatively and keep the reader in suspense (withholding vital information and using flashbacks) I can create suspense using modal verbs and rhetorical questions I can interrupt my sentences using ‘dramatic dashes’ (parentheses) I can use technical language appropriately in my creative writing (precise language around my animal’s physical features, habitat, behaviour and offspring) I can use figurative language
The Tin Forest
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The Tin Forest

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This resource is six activities linked to the text. They are ready for children to pick up and use independently. Defining and reusing tricky words from the text Picking out the key features of a fable from the text (and from ‘The Promise’) Adding fronted adverbials to sentences from the text Grouping synonyms to create a word bank for fable writing I can plan a fable of my own I can write a fable of my own